Composer

:

Charles-Marie Widor

Genre

:

Choral

Style

:

Choral

Average_duration

:

5:32

Charles-Marie Widor's 'Surrexit a mortuis, Op. 23/3' is a sacred choral work that was composed in 1878. It was premiered on Easter Sunday of the same year at the Church of Saint-Sulpice in Paris, where Widor served as the organist. The piece is part of a larger collection of works called 'Cinq cantiques pour le temps de Pâques' (Five Canticles for Easter), which Widor composed for the church's liturgical celebrations. 'Surrexit a mortuis' is a three-movement work that is scored for four-part mixed choir and organ. The first movement, marked 'Allegro moderato', begins with a lively organ introduction that sets the tone for the entire piece. The choir enters with a joyful proclamation of the resurrection of Christ, singing in unison before breaking into four-part harmony. The movement is characterized by its energetic rhythms and bright harmonies, which convey the exuberance of the Easter season. The second movement, marked 'Andante', is a more contemplative section that reflects on the meaning of Christ's resurrection. The choir sings a hymn-like melody that is accompanied by a gentle organ accompaniment. The harmonies are more subdued in this section, and the overall mood is one of introspection and reflection. The final movement, marked 'Allegro', returns to the joyful mood of the first movement. The choir sings a triumphant hymn that celebrates the victory of Christ over death. The organ accompaniment is more elaborate in this section, with virtuosic runs and flourishes that add to the festive atmosphere. The movement ends with a grand cadence that brings the piece to a rousing conclusion. Overall, 'Surrexit a mortuis' is a vibrant and uplifting work that captures the spirit of the Easter season. Widor's use of organ and choir creates a rich and full sound that is both powerful and expressive. The piece is a testament to Widor's skill as a composer and his deep understanding of liturgical music.

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