Composer

:

Jonathan Dove

Genre

:

Vocal

Compose Date

:

1998

Average_duration

:

18:59

Movement_count

:

5

Movement ....

The Ariel cycle for unaccompanied voice is a composition by British composer Jonathan Dove. It was composed in 1997 and premiered in the same year at the Cheltenham Festival by soprano Patricia Rozario. The cycle consists of five movements, each based on a different character from William Shakespeare's play "The Tempest". The first movement, "Ariel's Song", is a haunting and ethereal piece that captures the essence of the spirit Ariel. The soprano voice soars above a shimmering accompaniment, evoking the magical and otherworldly nature of the character. The second movement, "Caliban's Dream", is a stark contrast to the first. It is a dark and brooding piece that reflects the brutish and primitive nature of the character Caliban. The vocal line is jagged and angular, with sudden shifts in dynamics and rhythm. The third movement, "Miranda's Song", is a tender and lyrical piece that captures the innocence and purity of the character Miranda. The vocal line is smooth and flowing, with a gentle accompaniment that supports the soprano voice. The fourth movement, "Ferdinand's Song", is a joyful and exuberant piece that reflects the youthful and romantic nature of the character Ferdinand. The vocal line is light and playful, with a bouncy accompaniment that captures the energy and enthusiasm of the character. The final movement, "Prospero's Spell", is a powerful and dramatic piece that brings the cycle to a close. The vocal line is forceful and commanding, with a driving accompaniment that evokes the magic and power of the character Prospero. Overall, the Ariel cycle for unaccompanied voice is a masterful work that showcases Jonathan Dove's skill as a composer. Each movement captures the essence of its respective character, creating a vivid and evocative musical portrait of Shakespeare's play.

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