Composer

:

Francisco de Soto

Genre

:

Vocal

Style

:

Vocal Music

Average_duration

:

2:15

'A Santa Maria di Tonone detta della Compassione altrimente de i Sette Dolori, riscontro all'empia e perfida Geneva' is a sacred vocal work composed by Francisco de Soto. The piece was composed in the late 16th century, and it premiered in Spain. The work is divided into several movements, each of which is characterized by its own unique musical style and structure. The first movement of the piece is a solemn and mournful introduction, which sets the tone for the rest of the work. The second movement is a lively and energetic aria, which features a solo soprano accompanied by a small ensemble of instruments. The third movement is a duet between a soprano and a tenor, which is characterized by its intricate counterpoint and complex harmonies. The fourth movement is a somber and reflective aria, which features a solo alto accompanied by a small ensemble of instruments. The fifth movement is a lively and energetic chorus, which features the full choir accompanied by a large ensemble of instruments. The sixth movement is a duet between a soprano and a bass, which is characterized by its intricate counterpoint and complex harmonies. The seventh movement is a somber and reflective aria, which features a solo tenor accompanied by a small ensemble of instruments. The eighth movement is a lively and energetic chorus, which features the full choir accompanied by a large ensemble of instruments. The ninth movement is a duet between a soprano and a bass, which is characterized by its intricate counterpoint and complex harmonies. The final movement of the piece is a solemn and reflective chorus, which brings the work to a close. Overall, 'A Santa Maria di Tonone detta della Compassione altrimente de i Sette Dolori, riscontro all'empia e perfida Geneva' is a powerful and emotionally charged work, which showcases Francisco de Soto's skill as a composer and his deep devotion to his faith.

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