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John Murphy
28 Days Later
Works Info
Composer
:
John Murphy
Genre
:
Film
Style
:
Film Score
28 Days Later is a British post-apocalyptic horror film directed by Danny Boyle and written by Alex Garland. The film was released on November 1, 2002, and premiered at the Cannes Film Festival in May of the same year. The film is divided into three movements, each with its own distinct characteristics. The first movement of the film introduces the audience to Jim, a bicycle courier who wakes up from a coma to find that London has been devastated by a virus that turns people into violent, zombie-like creatures. This movement is characterized by a sense of confusion and disorientation, as Jim struggles to come to terms with the new reality he finds himself in. The soundtrack for this movement is sparse and eerie, with John Murphy's haunting piano melody setting the tone for the film. The second movement of the film sees Jim teaming up with a group of survivors, including Selena, a tough and resourceful woman, and Frank and Hannah, a father and daughter who have managed to avoid infection. This movement is characterized by a sense of hopelessness and desperation, as the group struggles to find a safe place to hide from the infected. The soundtrack for this movement is more intense and urgent, with Murphy's use of percussion and electronic beats adding to the sense of danger and urgency. The third movement of the film sees the group coming into contact with a military unit that claims to have found a cure for the virus. This movement is characterized by a sense of betrayal and disillusionment, as the group realizes that the military's intentions are not as noble as they first appeared. The soundtrack for this movement is more orchestral and epic, with Murphy's use of strings and brass adding to the sense of grandeur and tragedy. Overall, 28 Days Later is a powerful and haunting film that explores themes of survival, humanity, and the consequences of our actions. John Murphy's soundtrack is an integral part of the film, helping to create a sense of atmosphere and emotion that stays with the audience long after the credits have rolled.
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