Manuel Rodrigues Coelho
Segunda susana grosada a 4 sobre a de 5
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Composer:Manuel Rodrigues CoelhoGenre:MiscellaneousStyle:MiscellaneousAverage_duration:6:11Manuel Rodrigues Coelho was a Portuguese composer and organist who lived from 1555 to 1635. He was one of the most important composers of his time and his works are still performed today. One of his most famous works is the "Segunda susana grosada a 4 sobre a de 5", which was composed for the organ. The "Segunda susana grosada a 4 sobre a de 5" was composed in the early 17th century and was first performed in Portugal. It is a piece for the organ and is divided into several movements. The piece is based on the melody of the song "Susana un jur" and is a variation on that theme. The first movement of the piece is a prelude, which sets the tone for the rest of the piece. It is a slow and contemplative movement that introduces the main theme of the piece. The second movement is a fugue, which is a complex and intricate piece of music that showcases the composer's skill and mastery of the organ. The third movement is a toccata, which is a fast and lively piece of music that is meant to be played with great energy and enthusiasm. It is a virtuosic piece that requires a great deal of technical skill and dexterity on the part of the performer. The fourth movement is a variation on the main theme of the piece. It is a slower and more contemplative movement that explores the melody in greater depth. The fifth movement is a chaconne, which is a type of dance that was popular in the 17th century. It is a lively and energetic piece that is meant to be played with great enthusiasm. Overall, the "Segunda susana grosada a 4 sobre a de 5" is a complex and intricate piece of music that showcases the composer's skill and mastery of the organ. It is a virtuosic piece that requires a great deal of technical skill and dexterity on the part of the performer. The piece is still performed today and is considered to be one of the most important works of the early Baroque period.More....
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