Composer

:

Jacquet of Mantua

Genre

:

Vocal

Average_duration

:

8:09

In illo tempore dixit Jesus is a sacred motet composed by Jacquet of Mantua, a French composer of the Renaissance era. The piece was composed in the early 16th century and was premiered in the court of the Duke of Mantua, where Jacquet served as a musician. The motet is written for four voices, with the text taken from the Gospel of John, chapter 16, verse 23. The piece is divided into three movements, each with its own distinct character and musical style. The first movement is marked "Allegro" and is characterized by its lively and energetic tempo. The voices enter one by one, with the soprano leading the way, followed by the alto, tenor, and bass. The music is full of rhythmic vitality, with the voices weaving in and out of each other in a complex and intricate counterpoint. The second movement is marked "Adagio" and is much slower and more contemplative in character. The voices sing in a more homophonic style, with the melody moving in unison and the harmonies rich and full. The music is marked by a sense of introspection and reflection, as the text speaks of the disciples' sorrow at Jesus' impending departure. The final movement is marked "Allegro" and returns to the lively and energetic character of the first movement. The voices sing in a more complex and intricate counterpoint, with the music building to a joyful and exuberant conclusion. The text speaks of the disciples' joy at Jesus' return, and the music reflects this sense of celebration and triumph. Overall, In illo tempore dixit Jesus is a masterful example of Renaissance polyphony, with its complex and intricate counterpoint, rich harmonies, and expressive use of text painting. The piece showcases Jacquet of Mantua's skill as a composer and his ability to create music that is both technically impressive and emotionally powerful.

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