Composer

:

Ernst Krenek

Genre

:

Vocal

Compose Date

:

1957

First Performance

:

March, 1958

Average_duration

:

19:33

Ernst Krenek's 'Sestina' is a composition for solo piano that was composed in 1948. The piece was premiered in the same year by the pianist Eduard Steuermann. The composition is divided into six movements, each of which is based on a different theme. The six movements are connected by a recurring motif that is heard throughout the piece. The first movement of 'Sestina' is marked 'Allegro con brio' and is characterized by its energetic and lively nature. The second movement, marked 'Andante', is more introspective and contemplative. The third movement, marked 'Allegro', is a playful and whimsical scherzo. The fourth movement, marked 'Adagio', is a slow and mournful lament. The fifth movement, marked 'Allegro vivace', is a lively and virtuosic display of technical skill. The final movement, marked 'Andante con moto', brings the piece to a close with a sense of resolution and tranquility. One of the most notable characteristics of 'Sestina' is its use of serialism. Krenek was a proponent of the twelve-tone technique, and this is evident in the composition. The recurring motif that ties the six movements together is based on a twelve-tone row, and each movement uses a different permutation of this row. This gives the piece a sense of unity and coherence, despite the diversity of the individual movements. Another characteristic of 'Sestina' is its use of rhythm. Krenek was known for his interest in rhythm and meter, and this is evident in the composition. The piece features complex and irregular rhythms, which add to its sense of energy and vitality. Overall, 'Sestina' is a challenging and complex composition that showcases Krenek's mastery of the piano and his innovative approach to composition. Its use of serialism and rhythm make it a significant work in the history of twentieth-century music.

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