Composer

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Elizabeth Maconchy

Genre

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Miscellaneous

Style

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Miscellaneous

Average_duration

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1:52

Elizabeth Maconchy's "There Is No. Rose" is a choral work that was composed in 1954. It was premiered on December 16, 1954, at the Wigmore Hall in London, England. The piece is divided into three movements, each with its own unique characteristics. The first movement, "There Is No. Rose," is a setting of a medieval English text. The music is characterized by its use of modal harmonies and a simple, chant-like melody. The choir sings in unison for much of the movement, with occasional harmonies and dissonances added for color. The overall effect is one of simplicity and purity. The second movement, "The Annunciation," is a setting of a text by the composer herself. The music is more complex than the first movement, with intricate harmonies and rhythms. The choir is divided into four parts, each with its own melodic line. The music is characterized by its use of dissonance and tension, which reflects the uncertainty and fear of the Virgin Mary as she receives the news of her impending pregnancy. The third movement, "The Salutation," is a setting of a text by the 15th-century poet John Lydgate. The music is joyful and celebratory, with a lively rhythm and bright harmonies. The choir is once again divided into four parts, each with its own melodic line. The music is characterized by its use of syncopation and rhythmic complexity, which reflects the exuberance and excitement of the angels as they announce the birth of Christ. Overall, "There Is No. Rose" is a beautiful and moving choral work that showcases Elizabeth Maconchy's skill as a composer. The piece is notable for its use of medieval texts and modal harmonies, as well as its intricate rhythms and harmonies. It remains a beloved work in the choral repertoire to this day.

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