Composer

:

Henry Purcell

Genre

:

Vocal

Style

:

Cantata

Compose Date

:

ca. 1692

Average_duration

:

9:09

Henry Purcell's "In guilty night, Z. 134" is a sacred vocal work composed in the 1680s. It was likely written for the Chapel Royal, where Purcell served as organist and composer. The piece is a setting of a text by the English poet and clergyman Nahum Tate, which tells the story of the Nativity and the redemption of mankind through the birth of Christ. The work is divided into three movements. The first movement, "In guilty night," is a somber and introspective aria for alto soloist. The text describes the darkness and sinfulness of the world before the coming of Christ, and the music reflects this with its minor key and mournful melody. The alto soloist sings of the "dreadful curse" that hung over humanity, and the need for a savior to "break the chains of hell." The second movement, "So ceas'd the rival crew," is a chorus for four voices (soprano, alto, tenor, and bass). It describes the reaction of the angels to the news of Christ's birth, and their joy at the prospect of peace on earth. The music is lively and celebratory, with a dance-like rhythm and bright harmonies. The chorus sings of the "mighty love" that brought Christ to earth, and the "heavenly host" that proclaims his glory. The final movement, "But oh! What light," is a duet for soprano and bass soloists. It describes the moment of Christ's birth, and the light that shone forth from the manger. The music is serene and ethereal, with a simple melody and gentle accompaniment. The duet sings of the "beauteous ray" that illuminated the darkness, and the hope that Christ's birth brings to the world. Overall, "In guilty night" is a powerful and moving work that captures the essence of the Christmas story. Purcell's music is expressive and evocative, with a keen sense of drama and emotion. The piece premiered in the late 1680s, and has since become a beloved part of the Christmas repertoire.

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