Carlos Guastavino
Preludios (10) sobre Temas de Canciones Populares Argentinas
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Composer:Carlos GuastavinoGenre:KeyboardStyle:SongCompose Date:1952Average_duration:23:45Movement_count:10Movement ....Carlos Guastavino's 'Preludios (10) sobre Temas de Canciones Populares Argentinas' is a collection of ten preludes for solo piano, composed in 1942. The work was premiered in Buenos Aires in the same year, and has since become one of Guastavino's most popular and frequently performed compositions. Each prelude is based on a different Argentine folk song, and Guastavino's treatment of these melodies is both respectful and inventive. The composer's use of harmony and rhythm is particularly noteworthy, as he manages to infuse each prelude with a unique character and mood while remaining faithful to the original song. The first prelude, based on the song "La rosa y el sauce," is a gentle and lyrical piece that showcases Guastavino's gift for melody. The second prelude, based on "El rancho 'e la Cambicha," is more rhythmic and lively, with a playful syncopation that evokes the dance music of the Argentine countryside. The third prelude, based on "La palomita," is a delicate and introspective piece that features a hauntingly beautiful melody. The fourth prelude, based on "El choclo," is a virtuosic tour-de-force that showcases Guastavino's technical prowess as a pianist. The fifth prelude, based on "El carnavalito," is a lively and festive piece that captures the spirit of the traditional Argentine carnival. The sixth prelude, based on "La arenosa," is a more contemplative piece that features a haunting melody and a rich harmonic palette. The seventh prelude, based on "La zamba del grillo," is a lively and rhythmic piece that features a playful melody and a driving rhythm. The eighth prelude, based on "La triste," is a melancholy and introspective piece that features a hauntingly beautiful melody. The ninth prelude, based on "La pomeña," is a lively and rhythmic piece that captures the spirit of the traditional Argentine dance music. The final prelude, based on "El gato," is a virtuosic tour-de-force that showcases Guastavino's technical prowess as a pianist. Overall, Guastavino's 'Preludios (10) sobre Temas de Canciones Populares Argentinas' is a masterful collection of piano music that showcases the composer's gift for melody, harmony, and rhythm. Each prelude is a unique and evocative musical portrait of a different Argentine folk song, and the work as a whole is a testament to the rich musical heritage of Argentina.More....
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Preludes (10) sobre Temas de Canciones Populares Argentinas
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