Composer

:

Giovanni Gabrieli

Genre

:

Choral

Style

:

Motet

Publication Date

:

1615

Average_duration

:

4:25

'Hodie completi sunt' is a sacred motet composed by Giovanni Gabrieli, a prominent Italian composer of the late Renaissance period. The piece was composed in the early 17th century and was first performed in Venice, Italy. The premiere date of the piece is not known, but it is believed to have been performed during the Christmas season. The motet is written for eight voices, divided into two choirs, and is scored for two soprano, two alto, two tenor, and two bass voices. The piece is divided into three movements, each with its own distinct character and musical style. The first movement is a joyful and celebratory setting of the text "Hodie completi sunt dies Pentecostes," which translates to "Today is the completion of the Pentecost." The music is characterized by lively rhythms, bright harmonies, and intricate polyphony. The two choirs alternate in singing the text, creating a sense of antiphonal dialogue. The second movement is a more contemplative setting of the text "Spiritus Domini replevit orbem terrarum," which translates to "The Spirit of the Lord has filled the whole world." The music is characterized by a slower tempo, more subdued harmonies, and a greater emphasis on homophonic textures. The two choirs sing together in this movement, creating a sense of unity and harmony. The final movement is a triumphant setting of the text "Alleluia, alleluia, alleluia," which is repeated several times throughout the movement. The music is characterized by a fast tempo, energetic rhythms, and complex polyphony. The two choirs sing together in this movement, creating a sense of grandeur and majesty. Overall, 'Hodie completi sunt' is a masterful example of Gabrieli's skill in writing for multiple voices and creating complex, yet harmonious, musical textures. The piece is a testament to the rich musical tradition of the Renaissance period and continues to be performed and admired by musicians and audiences alike.

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