Composer

:

Arnold Bax

Genre

:

Choral

Style

:

Choral

Compose Date

:

1923

Average_duration

:

20:05

"To the Name above every Name" is a choral work composed by Arnold Bax in 1938. The piece was premiered on October 25, 1938, at the Royal Albert Hall in London, conducted by Sir Adrian Boult. The work is divided into three movements, each with its own distinct character and musical style. The first movement, "Invocation," begins with a solemn and mysterious introduction, featuring the choir singing in unison. The music gradually builds in intensity, with the choir singing in harmony and the orchestra providing a rich and colorful accompaniment. The text of the movement is taken from the Bible, specifically from Philippians 2:9-11, which speaks of the exaltation of Jesus Christ and the recognition of his divine nature. The second movement, "The Name," is a lively and energetic scherzo, featuring a fast-paced and rhythmic melody. The choir sings the text of Psalm 8, which speaks of the glory of God and the majesty of his creation. The music is characterized by its use of syncopated rhythms and shifting harmonies, which create a sense of excitement and anticipation. The final movement, "The Triumph," is a grand and majestic finale, featuring the full forces of the choir and orchestra. The music is based on the text of Revelation 5:12-13, which speaks of the worship of the Lamb of God. The movement begins with a fanfare-like introduction, featuring the brass and percussion sections of the orchestra. The choir then enters, singing in unison, before gradually building to a powerful and triumphant climax. Overall, "To the Name above every Name" is a powerful and expressive work, showcasing Bax's skill as a composer and his ability to create music that is both beautiful and meaningful. The piece is characterized by its use of rich harmonies, colorful orchestration, and powerful choral writing, making it a favorite among choral groups and audiences alike.

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