Composer

:

Agustín Barrios-Mangoré

Genre

:

Chamber

Style

:

Chamber Music

Average_duration

:

2:53

Maxixe is a popular Brazilian dance form that originated in the late 19th century. It is characterized by its syncopated rhythm and lively tempo, which makes it a popular choice for social dancing. The Maxixe was introduced to the world of classical guitar by the Paraguayan composer and guitarist, Agustín Barrios-Mangoré. Barrios-Mangoré composed his Maxixe in 1911, and it premiered in Buenos Aires, Argentina, in the same year. The piece is divided into three movements, each of which showcases different aspects of the Maxixe dance form. The first movement of Barrios-Mangoré's Maxixe is marked Allegro vivace, and it is characterized by its lively tempo and syncopated rhythm. The melody is played in the upper register of the guitar, while the accompaniment is played in the lower register. The movement is full of energy and excitement, and it captures the spirit of the Maxixe dance form perfectly. The second movement of the Maxixe is marked Andantino, and it is a slower, more lyrical section of the piece. The melody is played in a more legato style, and the accompaniment is more subdued. This movement provides a nice contrast to the first movement, and it showcases Barrios-Mangoré's ability to create beautiful melodies. The third movement of the Maxixe is marked Allegro, and it is a return to the lively tempo and syncopated rhythm of the first movement. The melody is played in a more staccato style, and the accompaniment is more complex. This movement is full of energy and excitement, and it brings the piece to a thrilling conclusion. Overall, Barrios-Mangoré's Maxixe is a wonderful example of the fusion of classical guitar and popular dance forms. The piece showcases Barrios-Mangoré's virtuosity as a guitarist and his ability to create beautiful melodies and complex rhythms. It is a testament to his skill as a composer and his love of the music of his native South America.

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