Composer

:

Bartolome de Selma y Salaverde

Genre

:

Orchestral

Style

:

Canzona

Publication Date

:

1638

Average_duration

:

5:22

Bartolome de Selma y Salaverde was a Spanish composer and musician who lived during the late Renaissance period. He is known for his contributions to the development of instrumental music, particularly for the recorder. One of his most famous works is the "Canzona terza a due" from his collection "Canzoni, fantasie et correnti No. 34." The "Canzona terza a due" was composed in the early 17th century and was first premiered in Italy. It is a two-part instrumental piece that features the recorder and the basso continuo. The piece is written in the key of G major and has a moderate tempo. The "Canzona terza a due" is divided into three movements. The first movement is a lively and energetic canzona that features a lively melody played by the recorder. The second movement is a slower and more contemplative fantasia that showcases the recorder's ability to play long, sustained notes. The final movement is a lively corrente that features a fast and intricate melody played by both the recorder and the basso continuo. One of the characteristics of the "Canzona terza a due" is its use of counterpoint. The piece features two distinct melodic lines that are played simultaneously, creating a complex and intricate sound. The recorder and the basso continuo also play off each other, with the basso continuo providing a steady rhythm and harmonic support for the recorder's melody. Another characteristic of the "Canzona terza a due" is its use of ornamentation. The piece features a number of trills, turns, and other embellishments that add to the overall complexity and beauty of the music. Overall, the "Canzona terza a due" is a beautiful and complex piece of instrumental music that showcases Bartolome de Selma y Salaverde's skill as a composer and his contributions to the development of instrumental music during the Renaissance period.

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