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Chen Peixun
Autumn Moon on a Calm Lake (after Lu Wenchen)
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Chen Peixun
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3:17
Autumn Moon on a Calm Lake (after Lu Wenchen) is a solo piano piece composed by Chen Peixun in 1950. The piece is based on a traditional Chinese melody originally composed by Lu Wenchen in the early 20th century. Chen Peixun's arrangement of the melody is considered one of the most famous and beloved pieces of Chinese classical music. The piece is divided into three movements. The first movement is marked "Andante," and begins with a simple, flowing melody in the right hand. The left hand provides a gentle accompaniment, with occasional bursts of arpeggios and chords. The overall effect is one of calm and serenity, evoking the image of a still lake on a quiet autumn evening. The second movement is marked "Allegretto," and is more lively and playful than the first. The right hand plays a jaunty, syncopated melody, while the left hand provides a bouncy, rhythmic accompaniment. The movement is full of energy and movement, evoking the image of leaves rustling in the wind and the moonlight dancing on the water. The final movement is marked "Andante," and returns to the calm, reflective mood of the first movement. The melody is played in the right hand, with the left hand providing a gentle, flowing accompaniment. The movement builds to a climax before gradually fading away, leaving the listener with a sense of peace and tranquility. Overall, Autumn Moon on a Calm Lake (after Lu Wenchen) is characterized by its simple, elegant melodies, gentle harmonies, and evocative imagery. The piece is a testament to the beauty and power of traditional Chinese music, and has become a beloved classic in the repertoire of Chinese classical music.
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