Composer

:

Herbert Howells

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1929 - 1961

Average_duration

:

50:16

Movement_count

:

20

Movement ....

Herbert Howells' Clavichord is a two-book collection of solo piano pieces that were composed between 1927 and 1930. The first book was premiered in 1928, while the second book was premiered in 1930. The pieces are characterized by their introspective and melancholic nature, with a focus on the exploration of harmony and tonality. The first book of Howells' Clavichord consists of six pieces, each with its own unique character and mood. The first piece, "Aria," is a slow and contemplative piece that sets the tone for the rest of the collection. The second piece, "Sarabande," is a more lively and rhythmic piece that features a recurring motif in the left hand. The third piece, "Lament," is a mournful and introspective piece that explores the use of dissonance and chromaticism. The fourth piece, "Jig," is a playful and energetic piece that features a lively dance rhythm. The fifth piece, "Elegy," is a somber and mournful piece that explores the use of counterpoint. The final piece, "Air," is a slow and introspective piece that brings the collection to a peaceful and contemplative close. The second book of Howells' Clavichord consists of five pieces, each with its own unique character and mood. The first piece, "Prelude," is a slow and introspective piece that explores the use of harmony and tonality. The second piece, "Minuet," is a lively and playful piece that features a recurring motif in the left hand. The third piece, "Siciliano," is a slow and mournful piece that explores the use of counterpoint. The fourth piece, "Gavotte," is a lively and energetic piece that features a lively dance rhythm. The final piece, "Epilogue," is a slow and introspective piece that brings the collection to a peaceful and contemplative close. Overall, Howells' Clavichord is a collection of introspective and melancholic piano pieces that explore the use of harmony, tonality, and counterpoint. The pieces are characterized by their focus on introspection and contemplation, with a recurring theme of mourning and melancholy. The collection is a testament to Howells' skill as a composer and his ability to create deeply emotional and introspective music.

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