Composer

:

Ariel Guzik

Genre

:

Miscellaneous

Style

:

Miscellaneous

Compose Date

:

2001

Average_duration

:

1:46

"Plasmaht" is a contemporary musical composition by Mexican artist and composer Ariel Guzik. The piece was composed in 2012 and premiered at the Laboratorio Arte Alameda in Mexico City on November 22, 2012. The composition consists of three movements, each exploring different sonic textures and timbres. The first movement features a combination of metallic and organic sounds, created using a variety of instruments and objects, including a metallophone, a waterphone, and a glass harmonica. The second movement is characterized by a more ethereal and atmospheric sound, created using a combination of electronic and acoustic instruments, including a theremin and a bowed psaltery. The final movement is more rhythmic and percussive, featuring a combination of drums, cymbals, and other percussion instruments. One of the defining characteristics of "Plasmaht" is its use of unconventional instruments and sound sources. Guzik is known for his use of self-built instruments and experimental sound-making devices, and "Plasmaht" is no exception. The piece incorporates a variety of unique instruments, including a "sonic cannon" that uses compressed air to create powerful bursts of sound, and a "sonic pendulum" that uses gravity to create oscillating sound waves. Another notable aspect of "Plasmaht" is its use of spatialization and surround sound. The piece was designed to be performed in a specially-designed circular space, with the audience seated in the center and the performers surrounding them. This allows for a fully immersive sonic experience, with sounds moving and swirling around the audience in three dimensions. Overall, "Plasmaht" is a complex and multi-layered composition that pushes the boundaries of traditional musical forms and instrumentation. Its use of unconventional instruments and spatialization techniques creates a unique and immersive sonic environment that is both challenging and rewarding for the listener.

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