Composer

:

Henri Edouard Dallier

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1926

Average_duration

:

5:15

'Invocations (5), No. 4, Pulchra ut Luna' is a piece of music composed by Henri Edouard Dallier. It was composed in the early 20th century, specifically in 1913. The piece was premiered in Paris, France, in the same year. 'Invocations (5), No. 4, Pulchra ut Luna' is a part of a larger work called 'Invocations,' which is a collection of five pieces. Each piece is dedicated to a different saint or religious figure. 'Pulchra ut Luna' is dedicated to the Virgin Mary. The piece is written for organ and is divided into three movements. The first movement is marked 'Andante sostenuto' and is in the key of G minor. The second movement is marked 'Allegro moderato' and is in the key of B-flat major. The final movement is marked 'Andante con moto' and is in the key of G minor. 'Invocations (5), No. 4, Pulchra ut Luna' is characterized by its use of rich harmonies and lush textures. The piece begins with a haunting melody played on the organ's solo stop. The melody is then joined by a second voice, which adds depth and complexity to the piece. The second movement is more lively and features a playful melody that is passed between the hands of the organist. The final movement returns to the haunting melody of the first movement but adds a sense of urgency and intensity. Overall, 'Invocations (5), No. 4, Pulchra ut Luna' is a beautiful and moving piece of music that showcases Dallier's skill as a composer. Its use of rich harmonies and lush textures make it a favorite among organists and music lovers alike.

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