Composer

:

Johann Hermann Schein

Genre

:

Choral

Style

:

Choral

Publication Date

:

1627

Average_duration

:

5:07

Johann Hermann Schein's "Christ unser Herr zum Jordan kam" is a sacred motet composed in the early 17th century. The piece was first published in 1627 as part of Schein's collection "Cantional oder Gesangbuch Augspurgischer Confession," which contained 415 hymns and motets. The premiere of "Christ unser Herr zum Jordan kam" is unknown, but it was likely performed in a church setting during a service. The piece is written for four voices (soprano, alto, tenor, and bass) and is based on the Lutheran chorale of the same name. The motet is divided into three movements. The first movement is a setting of the chorale melody in the soprano voice, with the other voices providing harmonies and counterpoint. The second movement is a duet between the alto and tenor voices, with the bass and soprano providing a rhythmic accompaniment. The third movement is a four-part setting of the chorale melody, with the voices weaving in and out of each other to create a rich and complex texture. One of the characteristics of Schein's "Christ unser Herr zum Jordan kam" is its use of imitative counterpoint. The voices often echo each other, creating a sense of unity and harmony. The piece also features a strong sense of rhythm, with the bass and soprano voices providing a steady pulse throughout. Overall, "Christ unser Herr zum Jordan kam" is a beautiful and expressive motet that showcases Schein's skill as a composer. Its timeless melody and intricate harmonies continue to inspire and move listeners today.

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