Composer

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Tobias Matthay

Genre

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Keyboard

Style

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Keyboard

Average_duration

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2:03

"Elves, Op. 17" is a piano suite composed by Tobias Matthay, a British pianist, composer, and pedagogue. The suite was composed in 1895 and premiered the same year in London. It consists of four movements, each depicting a different aspect of the mythical creatures known as elves. The first movement, "The Dance of the Elves," is a lively and playful piece in 6/8 time. It features rapid arpeggios and cascading runs in the right hand, while the left hand provides a steady accompaniment. The overall effect is one of joyful abandon, as if the elves are dancing in a circle around the listener. The second movement, "The Song of the Elves," is a slower and more lyrical piece in 4/4 time. It features a simple, haunting melody in the right hand, accompanied by gentle chords in the left. The overall effect is one of wistful beauty, as if the elves are singing a mournful song of longing. The third movement, "The Flight of the Elves," is a fast and frenetic piece in 2/4 time. It features rapid runs and trills in both hands, as if the elves are darting and weaving through the air. The overall effect is one of breathless excitement, as if the listener is being swept along on the elves' wild ride. The fourth and final movement, "The Revel of the Elves," is a lively and exuberant piece in 6/8 time. It features a driving rhythm and intricate interplay between the hands, as if the elves are celebrating with abandon. The overall effect is one of joyous energy, as if the listener is caught up in the elves' revelry. Overall, "Elves, Op. 17" is a charming and evocative suite that captures the spirit of these mythical creatures. Matthay's use of rapid runs, cascading arpeggios, and intricate interplay between the hands creates a sense of magic and wonder that is sure to delight listeners of all ages.

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