Composer

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Robert Franz

Genre

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Vocal

Style

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Song

Robert Franz's 'Gesänge (6) for voice & piano, Op. 10' is a collection of six songs composed in 1849. The songs were premiered in the same year in Halle, Germany. The six songs are titled "Im wunderschönen Monat Mai," "Aus meinen Tränen sprießen," "Die Rose, die Lilie, die Taube," "Wenn ich in deine Augen seh'," "Ich will meine Seele tauchen," and "Im Rhein, im heiligen Strome." The first song, "Im wunderschönen Monat Mai," is a setting of a poem by Heinrich Heine. The song is in a simple ABA form, with the A section featuring a flowing piano accompaniment and the B section featuring a more dramatic and intense melody. The second song, "Aus meinen Tränen sprießen," is also a setting of a poem by Heinrich Heine. The song is in a slow and mournful tempo, with the piano accompaniment featuring a descending chromatic line that adds to the melancholic mood of the piece. The third song, "Die Rose, die Lilie, die Taube," is a setting of a poem by Friedrich Rückert. The song is in a lively and playful tempo, with the piano accompaniment featuring a bouncy rhythm that complements the light-hearted nature of the text. The fourth song, "Wenn ich in deine Augen seh'," is a setting of a poem by Johann Wolfgang von Goethe. The song is in a slow and romantic tempo, with the piano accompaniment featuring a gentle and flowing melody that supports the tender and intimate nature of the text. The fifth song, "Ich will meine Seele tauchen," is also a setting of a poem by Johann Wolfgang von Goethe. The song is in a slow and contemplative tempo, with the piano accompaniment featuring a simple and repetitive melody that creates a meditative atmosphere. The final song, "Im Rhein, im heiligen Strome," is a setting of a poem by Heinrich Heine. The song is in a grand and majestic tempo, with the piano accompaniment featuring a powerful and sweeping melody that evokes the grandeur of the Rhine river. Overall, Robert Franz's 'Gesänge (6) for voice & piano, Op. 10' is a collection of songs that showcases the composer's skill in setting poetry to music. The songs feature a variety of moods and tempos, and the piano accompaniments are carefully crafted to support and enhance the texts.

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