Composer

:

Heitor Villa-Lobos

Genre

:

Orchestral

Style

:

Orchestral

Compose Date

:

1937

Average_duration

:

17:17

Movement_count

:

3

Movement ....

"Descombrimento do Brasil: Suite No. 3 (3), A. 379" is a composition by the Brazilian composer Heitor Villa-Lobos. It was composed in 1937 and premiered in Rio de Janeiro in the same year. The suite is part of a larger work called "Descombrimento do Brasil" (Discovery of Brazil), which was commissioned by the Brazilian government to celebrate the 400th anniversary of the discovery of Brazil by the Portuguese. The suite consists of four movements, each of which represents a different aspect of Brazilian culture and history. The first movement, "Embolada," is a lively dance that is typical of the northeastern region of Brazil. The second movement, "Xangô," is named after an African deity and features rhythmic patterns that are reminiscent of African music. The third movement, "Lundu," is a slow and sensual dance that originated in the Afro-Brazilian communities of the 19th century. The final movement, "Maracatu," is a festive dance that is associated with the carnival celebrations of the northeastern region of Brazil. One of the characteristics of Villa-Lobos' music is his use of Brazilian folk music and rhythms. In "Descombrimento do Brasil: Suite No. 3," he incorporates elements of African, indigenous, and European music to create a unique sound that is distinctly Brazilian. The suite also showcases Villa-Lobos' skill as an orchestrator, with each movement featuring a different combination of instruments and textures. Overall, "Descombrimento do Brasil: Suite No. 3" is a vibrant and colorful representation of Brazilian culture and history. Its premiere in 1937 was a significant event in Brazilian music, and it continues to be performed and celebrated today.

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