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Georg Philipp Telemann
Der für die Sünden der Welt gemarterte und sterbende Jesus "Brockes-Passion", TWV 5:1
Works Info
Composer
:
Georg Philipp Telemann
Genre
:
Choral
Style
:
Choral
Compose Date
:
1716
Publication Date
:
1722
Average_duration
:
145:46
Georg Philipp Telemann's "Der für die Sünden der Welt gemarterte und sterbende Jesus Brockes-Passion, TWV 5:1" is a sacred oratorio composed in 1716. It premiered in Hamburg on Good Friday of the same year. The work is based on the text of Barthold Heinrich Brockes, a German poet who wrote a series of Passion texts in the early 18th century. The oratorio is divided into two parts, with a total of 44 movements. The first part depicts the events leading up to Jesus' crucifixion, while the second part focuses on his death and resurrection. The movements are varied in style and instrumentation, ranging from solo arias and duets to choruses and instrumental interludes. One of the most notable characteristics of Telemann's Brockes-Passion is its use of descriptive and emotive language. Brockes' text is filled with vivid imagery and emotional language, and Telemann's music reflects this through its use of expressive melodies, harmonies, and instrumentation. For example, in the aria "Ach, mein Sinn," the soloist sings of the agony and despair of Jesus in the garden of Gethsemane, and Telemann's music reflects this through its use of dissonant harmonies and chromaticism. Another characteristic of the work is its use of musical symbolism. For example, the opening chorus, "Kommt, ihr Töchter," features a descending chromatic melody that represents the descent of Jesus from heaven to earth. The use of musical symbolism adds depth and meaning to the text, and helps to convey the emotional and spiritual significance of the Passion story. Overall, Telemann's "Der für die Sünden der Welt gemarterte und sterbende Jesus Brockes-Passion, TWV 5:1" is a powerful and moving work that combines expressive music with vivid and emotive text. Its use of descriptive language, musical symbolism, and varied instrumentation make it a masterpiece of the Baroque era.
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