Composer

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Chinese Traditional

Genre

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Miscellaneous

Style

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Miscellaneous

Average_duration

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5:00

"Peacock Fans Its Tail" is a traditional Chinese piece of music that is often performed on the guzheng, a plucked string instrument. The exact date of its composition is unknown, but it is believed to have originated during the Ming Dynasty (1368-1644). The piece is typically performed in three movements, each of which represents a different aspect of the peacock's behavior. The first movement is slow and stately, representing the peacock's regal and dignified demeanor. The second movement is faster and more playful, representing the peacock's tendency to strut and show off its feathers. The third movement is slow and mournful, representing the peacock's tendency to withdraw and hide when it feels threatened. One of the most distinctive features of "Peacock Fans Its Tail" is its use of glissandos, or sliding notes, which are produced by sliding the fingers along the strings of the guzheng. These glissandos are used to imitate the sound of the peacock's feathers rustling as it fans its tail. Another characteristic of the piece is its use of ornamentation, such as trills and grace notes, which are used to add color and texture to the melody. The melody itself is based on a pentatonic scale, which is a five-note scale commonly used in traditional Chinese music. "Peacock Fans Its Tail" has been performed and recorded by many different musicians and ensembles over the years, and it remains a popular and beloved piece of traditional Chinese music. Its evocative melodies and colorful instrumentation make it a favorite among both performers and audiences alike.

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