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Percy Grainger
Mock Morris, for 6 solo strings or string orchestra
Works Info
Composer
:
Percy Grainger
Genre
:
Chamber
Style
:
Ecossaise / Schottische
Compose Date
:
1911
Publication Date
:
1911
Average_duration
:
3:39
Mock Morris is a composition for six solo strings or string orchestra, composed by Percy Grainger in 1910. The piece was premiered in London in 1912, and it quickly became one of Grainger's most popular works. The piece is divided into three movements, each of which is characterized by a lively and playful melody. The first movement is marked "Allegretto," and it features a jaunty tune that is passed between the different sections of the orchestra. The second movement is marked "Moderato," and it features a more subdued melody that is played by the violins. The third movement is marked "Allegro," and it features a lively and energetic tune that is played by the entire orchestra. One of the most distinctive characteristics of Mock Morris is its use of folk melodies. Grainger was known for his interest in folk music, and he often incorporated traditional tunes into his compositions. In Mock Morris, he uses a melody that he collected from a folk dance in Lincolnshire, England. The melody is played in a lively and rhythmic manner, with the different sections of the orchestra taking turns playing the tune. Another characteristic of Mock Morris is its use of unconventional instrumentation. Grainger was known for his experimentation with different instruments, and in this piece, he uses a variety of string instruments, including the viola, cello, and double bass. He also uses a technique called "elastic scoring," which allows the conductor to adjust the number of players in each section of the orchestra to create different textures and dynamics. Overall, Mock Morris is a lively and playful piece that showcases Grainger's unique style and his interest in folk music and unconventional instrumentation. Its popularity has endured over the years, and it remains a beloved work in the string orchestra repertoire.
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