Composer

:

Matthijs Vermeulen

Genre

:

Vocal

Style

:

Vocal Music

Compose Date

:

1941

Average_duration

:

11:16

"Salutations (3) à Notre Dame, No. 1 De l'Aube," is a composition by Matthijs Vermeulen, a Dutch composer who lived from 1888 to 1967. The piece was composed in 1951 and premiered on May 17, 1952, in Amsterdam, Netherlands. The composition is divided into three movements, with the first movement titled "De l'Aube" (Of the Dawn). The movement begins with a slow and mysterious introduction, with the strings playing a haunting melody that is gradually joined by the woodwinds and brass. The music builds in intensity, with the percussion adding a sense of urgency to the piece. The movement then transitions into a faster section, with the strings playing a lively and rhythmic melody that is punctuated by the brass and percussion. The music then returns to the slower and more mysterious opening theme, bringing the movement to a close. The second movement is titled "De la Nuit" (Of the Night) and is a slower and more contemplative piece. The movement begins with a solo violin playing a mournful melody that is joined by the rest of the strings. The woodwinds and brass then enter, adding a sense of depth and richness to the music. The movement builds in intensity, with the percussion adding a sense of drama to the piece. The music then fades away, leaving only the solo violin playing a haunting melody. The final movement is titled "Du Jour" (Of the Day) and is a lively and energetic piece. The movement begins with a fast and rhythmic melody played by the strings, with the woodwinds and brass adding a sense of brightness and joy to the music. The percussion then enters, adding a sense of excitement and energy to the piece. The music builds in intensity, with the brass and percussion playing a prominent role in the music. The movement then comes to a close with a triumphant and joyful melody played by the entire orchestra. Overall, "Salutations (3) à Notre Dame, No. 1 De l'Aube," is a complex and multi-layered composition that showcases Vermeulen's skill as a composer. The piece is characterized by its use of rich harmonies, intricate melodies, and dynamic contrasts, and is a testament to Vermeulen's unique musical style.

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