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Claudio Monteverdi
Augellin, che la voce al canto spieghi (from Book 7), SV 133
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Works Info
Composer
:
Claudio Monteverdi
Genre
:
Choral
Style
:
Madrigal
Compose Date
:
ca. 1619
Average_duration
:
3:47
Claudio Monteverdi's 'Augellin, che la voce al canto spieghi (from Book 7), SV 133' is a beautiful and expressive madrigal that was composed in the early 17th century. The piece was first published in 1619 as part of Monteverdi's seventh book of madrigals, which was dedicated to the Duke of Mantua. The premiere of 'Augellin, che la voce al canto spieghi' is not known, but it is likely that it was performed in the court of Mantua, where Monteverdi was employed as a musician. The piece is written for five voices, and it is characterized by its lively and joyful melody, which is accompanied by a lively and intricate instrumental accompaniment. The madrigal is divided into three movements, each of which is characterized by a different mood and tempo. The first movement is marked by a lively and energetic tempo, and it features a joyful and playful melody that is sung by the upper voices. The lower voices provide a rich and complex harmonic foundation, which is further enhanced by the instrumental accompaniment. The second movement is slower and more contemplative, and it features a beautiful and expressive melody that is sung by the tenor voice. The other voices provide a rich and complex harmonic accompaniment, which is further enhanced by the instrumental accompaniment. The final movement is marked by a return to the lively and energetic tempo of the first movement, and it features a joyful and celebratory melody that is sung by all five voices. The instrumental accompaniment is particularly lively and intricate in this movement, and it provides a rich and complex harmonic foundation for the vocal parts. Overall, 'Augellin, che la voce al canto spieghi' is a beautiful and expressive madrigal that showcases Monteverdi's mastery of vocal and instrumental composition. Its lively and joyful melody, intricate instrumental accompaniment, and rich harmonic foundation make it a true masterpiece of early Baroque music.
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