Tarquinio Merula
Nigra sum
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Composer:Tarquinio MerulaGenre:ChoralStyle:ChoralPublication Date:1624Average_duration:3:44"Nigra sum" is a sacred motet composed by Tarquinio Merula, an Italian composer of the Baroque era. The piece was likely composed in the early 17th century, although the exact date is unknown. It was first published in 1638 in Merula's collection of sacred music, "Canzoni overo sonate concertate per chiesa e camera." The motet is written for four voices (soprano, alto, tenor, and bass) and is based on the text of the Song of Solomon, specifically chapter 1, verse 5: "I am black but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon." The text is a metaphorical expression of the beauty of the soul, despite the perceived imperfections of the body. The piece is divided into three movements, each with its own distinct character. The first movement is marked "Adagio" and is characterized by a slow, mournful melody in the alto voice. The other voices provide a simple harmonic accompaniment, with occasional dissonances that add to the melancholic mood of the piece. The second movement is marked "Allegro" and is much more lively than the first. The soprano and alto voices sing a joyful melody, while the tenor and bass provide a rhythmic accompaniment. The text of this movement speaks of the beauty of the soul, and the music reflects this with its exuberant energy. The final movement is marked "Adagio" and returns to the mournful mood of the first movement. The soprano and alto voices sing a simple, chant-like melody, while the tenor and bass provide a somber harmonic accompaniment. The text of this movement speaks of the longing for the beloved, and the music reflects this with its plaintive melody and melancholic harmonies. Overall, "Nigra sum" is a beautiful example of Baroque sacred music, with its expressive melodies, rich harmonies, and poignant text. It is a testament to Merula's skill as a composer and his ability to convey deep emotions through music.More....
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