Francesco Antonio Bonporti
Motets (6) for solo voice & strings, Op. 3
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Composer:Francesco Antonio BonportiGenre:VocalStyle:MotetFrancesco Antonio Bonporti's 'Motets (6) for solo voice & strings, Op. 3' is a collection of six sacred vocal works composed in the Baroque era. The collection was composed in 1696 and premiered in the same year in Vienna, Austria. The six motets are written for a solo voice accompanied by a string ensemble. The movements of each motet vary, but they typically include an opening aria, recitative, and closing aria. The texts are taken from various religious sources, including the Psalms and the Gospel of John. One of the characteristics of Bonporti's motets is their use of counterpoint. The vocal line and the string accompaniment often feature intricate and complex melodies that weave in and out of each other. The motets also feature a variety of tempos and moods, ranging from slow and contemplative to fast and joyful. Another notable characteristic of Bonporti's motets is their use of ornamentation. The vocal line is often embellished with trills, runs, and other decorative flourishes, adding to the overall richness and complexity of the music. Overall, Bonporti's 'Motets (6) for solo voice & strings, Op. 3' is a beautiful and intricate collection of sacred vocal works that showcase the composer's skill in counterpoint and ornamentation.More....
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Motets (6) for solo voice & strings, Op. 3
No. 1 in F Major 'Per la Madona': Aria. Clarae stellae
3:41
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Motets (6) for solo voice & strings, Op. 3
No. 1 in F Major 'Per la madona': Aria. Clarae stellae
3:40