Composer

:

Christopher Simpson

Genre

:

Chamber

Style

:

Chamber Music

Average_duration

:

7:31

Christopher Simpson's 'Divisions' is a collection of pieces for viola da gamba and basso continuo, composed in the mid-17th century. The exact date of composition is unknown, but it is believed to have been written in the 1650s or 1660s. The work was first published in London in 1665. The collection consists of six movements, each of which is a set of variations on a popular tune of the time. The tunes include "John, Come Kiss Me Now," "The Queen's Jig," and "The Division Violin." Each movement is structured as a series of short variations, with the viola da gamba taking the lead in the melody and the basso continuo providing a simple harmonic accompaniment. One of the defining characteristics of 'Divisions' is its use of ornamentation. Simpson was a master of the art of ornamentation, and his variations are filled with trills, turns, and other embellishments that add color and interest to the music. The work also showcases the expressive capabilities of the viola da gamba, with Simpson exploring a wide range of moods and emotions throughout the six movements. Another notable feature of 'Divisions' is its use of ground bass. In several of the movements, the basso continuo plays a repeating pattern of chords, while the viola da gamba weaves intricate variations around it. This technique creates a sense of continuity and stability, while also allowing for a great deal of musical freedom and improvisation. Overall, 'Divisions' is a masterful example of the art of variation. Simpson's skillful use of ornamentation, expressive playing, and innovative use of ground bass make this work a true masterpiece of the Baroque era.

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