Composer

:

Paul Dresher

Genre

:

Chamber

Style

:

Chamber Music

Average_duration

:

9:50

'Channels Passing' is a contemporary classical composition by American composer Paul Dresher. The piece was composed in 1982 and premiered on March 4, 1983, at the San Francisco Conservatory of Music. The composition consists of four movements, each exploring different sonic textures and timbres. The first movement, titled "Channels," features a complex interplay of rhythmic patterns and melodic lines, with the use of unconventional instruments such as steel drums and marimbas. The second movement, "Passing," is a slow and meditative piece that explores the use of sustained tones and harmonies. The third movement, "Crossings," is a fast-paced and energetic section that features intricate counterpoint and syncopated rhythms. The final movement, "Overtones," is a contemplative and introspective piece that explores the use of overtones and harmonics. One of the defining characteristics of 'Channels Passing' is its use of unconventional instruments and extended techniques. Dresher incorporates a wide range of percussion instruments, including steel drums, marimbas, and vibraphones, as well as electronic instruments such as synthesizers and tape loops. The composition also features a number of extended techniques, such as bowing and plucking the strings of the piano, and using mallets to create harmonics on the steel drums. Another notable aspect of 'Channels Passing' is its use of complex rhythmic patterns and polyrhythms. Dresher's background in African and Indonesian music is evident in the intricate interplay of rhythms and the use of syncopation throughout the composition. Overall, 'Channels Passing' is a dynamic and innovative work that showcases Dresher's unique approach to contemporary classical music. Its use of unconventional instruments and extended techniques, combined with its complex rhythmic patterns and harmonies, make it a challenging and rewarding piece for both performers and listeners alike.

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