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Jan Pieterszoon Sweelinck
Ubi duo vel tres congregati fuerint in nomine meo (Cantiones Sacrae No. 27)
Works Info
Composer
:
Jan Pieterszoon Sweelinck
Genre
:
Choral
Style
:
Song
Publication Date
:
1619
Average_duration
:
2:41
Jan Pieterszoon Sweelinck was a Dutch composer and organist of the late Renaissance and early Baroque periods. He was born in 1562 in Deventer, Netherlands, and died in 1621 in Amsterdam. Sweelinck was one of the most important composers of his time, and his music had a significant influence on the development of Baroque music. One of Sweelinck's most famous works is "Ubi duo vel tres congregati fuerint in nomine meo" (Cantiones Sacrae No. 27), which was composed in 1619. The piece is a sacred motet for four voices, and it is based on a text from the Gospel of Matthew (18:20): "For where two or three are gathered together in my name, there am I in the midst of them." The piece is divided into three movements. The first movement is a homophonic setting of the text, with all four voices singing together in harmony. The second movement is a contrapuntal setting of the text, with each voice singing a different melody that weaves together to create a complex and intricate texture. The third movement returns to a homophonic setting, with the voices singing together in harmony once again. One of the characteristics of Sweelinck's music is his use of chromaticism. In "Ubi duo vel tres congregati fuerint in nomine meo," he uses chromaticism to create tension and drama in the music. He also uses dissonance and unexpected harmonies to create a sense of unpredictability and surprise. Another characteristic of Sweelinck's music is his use of imitation. In "Ubi duo vel tres congregati fuerint in nomine meo," he uses imitation to create a sense of unity and coherence in the music. The voices often echo each other, creating a sense of call and response that reinforces the text of the piece. "Ubi duo vel tres congregati fuerint in nomine meo" was premiered in Amsterdam in 1619, and it quickly became one of Sweelinck's most popular works. It has been performed and recorded by many choirs and vocal ensembles over the years, and it remains a beloved piece of sacred music to this day.
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