Composer

:

Max Reger

Genre

:

Vocal

Style

:

Vocal Music

Compose Date

:

May 1915

Average_duration

:

1:47

Max Reger's 'Maria am Rosenstrauch, Op. 142/3' is a sacred song for voice and piano, composed in 1915. The piece was premiered on December 12, 1915, in Leipzig, Germany, with the composer himself at the piano. The song is part of a larger collection of sacred songs, titled 'Sieben Marienlieder, Op. 142', which Reger composed in honor of the Virgin Mary. 'Maria am Rosenstrauch' is the third song in the collection and is based on a poem by the German poet, Friedrich Rückert. The piece is in the key of F major and is marked 'Andante con moto'. It consists of three verses, each with its own distinct musical character. The first verse is gentle and contemplative, with a simple melody and accompaniment. The second verse is more dramatic, with a faster tempo and a more complex piano accompaniment. The third verse returns to the gentle character of the first, with a slower tempo and a more subdued accompaniment. Reger's use of harmony and chromaticism in 'Maria am Rosenstrauch' is characteristic of his style. He often employs unexpected chord progressions and dissonances, creating a sense of tension and release throughout the piece. The vocal line is also highly expressive, with wide leaps and dynamic contrasts. Overall, 'Maria am Rosenstrauch, Op. 142/3' is a beautiful and poignant tribute to the Virgin Mary, showcasing Reger's skill as a composer of sacred music.

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