Composer

:

Charles-Marie Widor

Genre

:

Keyboard

Style

:

Scherzo

Average_duration

:

2:55

Charles-Marie Widor's Scherzo for organ in E major, La Chasse, was composed in 1890 and premiered on May 4th of the same year at the Church of Saint-Sulpice in Paris. The piece is part of Widor's Organ Symphony No. 6, Op. 42, which consists of four movements. The Scherzo for organ in E major, La Chasse, is the third movement of the symphony and is characterized by its lively and playful nature. The title, La Chasse, translates to "The Hunt," and the piece is meant to evoke the excitement and energy of a hunting expedition. The Scherzo begins with a fast and rhythmic theme played by the organ's pedals, which is then taken up by the manuals. The theme is then developed and expanded upon throughout the movement, with various sections featuring different variations and combinations of the theme. One of the most notable aspects of the Scherzo is its use of the organ's various stops and registers to create a wide range of tonal colors and textures. Widor makes use of the full range of the organ's capabilities, from the soft and delicate sounds of the flute stops to the powerful and thunderous tones of the full organ. Overall, the Scherzo for organ in E major, La Chasse, is a lively and energetic piece that showcases Widor's skill as a composer and his mastery of the organ. Its playful nature and use of the organ's various tonal colors make it a popular choice for organists and audiences alike.

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