Composer

:

Wilhelm Friedemann Bach

Genre

:

Keyboard

Style

:

Character Piece

Compose Date

:

ca. 1765

Publication Date

:

1993

Average_duration

:

47:44

Movement_count

:

12

Movement ....

Wilhelm Friedemann Bach, the eldest son of Johann Sebastian Bach, composed a set of twelve Polonaises for keyboard, F. 12 (BR A27-38) in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written between 1740 and 1760. The set was first published in 1775, fifteen years after Wilhelm Friedemann's death. The Polonaises are written in the traditional Polish dance form, which was popular in Europe during the 18th century. Each Polonaise is a short, lively piece that is characterized by its strong, rhythmic pulse and its use of syncopation. The pieces are written in a variety of keys, ranging from C major to F minor. The set is divided into twelve movements, each with its own unique character and mood. The first Polonaise, in C major, is a bright and cheerful piece that sets the tone for the rest of the set. The second Polonaise, in G minor, is more somber and introspective, with a slower tempo and a more melancholy melody. The third Polonaise, in B-flat major, is a lively and energetic piece that features a playful melody and a driving rhythm. The fourth Polonaise, in F minor, is a more dramatic and intense piece, with a darker and more brooding atmosphere. The fifth Polonaise, in D major, is a bright and sunny piece that features a lively melody and a joyful, dance-like rhythm. The sixth Polonaise, in A minor, is a more introspective and melancholy piece, with a slower tempo and a more contemplative melody. The seventh Polonaise, in E-flat major, is a lively and energetic piece that features a playful melody and a driving rhythm. The eighth Polonaise, in C minor, is a more dramatic and intense piece, with a darker and more brooding atmosphere. The ninth Polonaise, in F major, is a bright and sunny piece that features a lively melody and a joyful, dance-like rhythm. The tenth Polonaise, in D minor, is a more introspective and melancholy piece, with a slower tempo and a more contemplative melody. The eleventh Polonaise, in A major, is a lively and energetic piece that features a playful melody and a driving rhythm. The twelfth and final Polonaise, in B-flat minor, is a more dramatic and intense piece, with a darker and more brooding atmosphere. Overall, Wilhelm Friedemann Bach's set of twelve Polonaises for keyboard is a lively and engaging collection of pieces that showcase the composer's skill and creativity. Each Polonaise is a unique and distinctive work that is sure to delight listeners and performers alike.

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