Composer

:

Robert de Visée

Genre

:

Miscellaneous

Style

:

Miscellaneous

Average_duration

:

3:11

"Les Sourdines d'Armide de Mr. Lully" is a suite for solo theorbo composed by Robert de Visée in the late 17th century. The exact date of composition is unknown, but it is believed to have been written sometime between 1680 and 1700. The suite is named after the character Armide from the opera "Armide" by Jean-Baptiste Lully, which was a popular work during Visée's time. The suite consists of six movements, each with its own unique character and style. The first movement, "Prélude," is a slow and stately introduction that sets the mood for the rest of the suite. The second movement, "Gavotte," is a lively dance in triple meter that features intricate fingerwork and ornamentation. The third movement, "Sarabande," is a slow and expressive dance that showcases the theorbo's ability to sustain long, melodic lines. The fourth movement, "Menuet," is a graceful dance in duple meter that features a playful melody and intricate harmonies. The fifth movement, "Chaconne," is a lively dance in triple meter that features a repeating bass line and variations on a simple melody. The final movement, "Gigue," is a fast and lively dance in compound meter that features rapid fingerwork and complex rhythms. Overall, "Les Sourdines d'Armide de Mr. Lully" is a virtuosic and expressive work that showcases the capabilities of the theorbo. Visée's use of intricate ornamentation, complex harmonies, and varied textures make this suite a masterpiece of the Baroque era.

More....