Composer

:

Henri Edouard Dallier

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1926

Average_duration

:

4:38

Henri Edouard Dallier's 'Invocations (5), No. 5, Electa ut Sol' is a piece of music that was composed in the early 20th century. It was first premiered in Paris in 1913 and has since become a popular piece in the classical music repertoire. The piece is divided into five movements, each of which is characterized by its own unique style and mood. The first movement of 'Invocations (5), No. 5, Electa ut Sol' is marked 'Lento misterioso' and is characterized by its haunting, ethereal quality. The music is slow and deliberate, with long, sustained notes that create a sense of tension and anticipation. The second movement, marked 'Allegro con fuoco', is much more lively and energetic. The music is fast-paced and frenetic, with rapid-fire runs and arpeggios that create a sense of excitement and urgency. The third movement of the piece is marked 'Andante espressivo' and is characterized by its lyrical, expressive quality. The music is slow and melodic, with long, flowing lines that create a sense of beauty and grace. The fourth movement, marked 'Allegro moderato', is more subdued than the previous movement but still has a sense of energy and movement. The music is marked by its rhythmic complexity, with shifting time signatures and syncopated rhythms that create a sense of tension and excitement. The final movement of 'Invocations (5), No. 5, Electa ut Sol' is marked 'Lento misterioso' and returns to the haunting, ethereal quality of the first movement. The music is slow and deliberate, with long, sustained notes that create a sense of mystery and intrigue. The piece ends on a quiet, unresolved note, leaving the listener with a sense of uncertainty and anticipation. Overall, 'Invocations (5), No. 5, Electa ut Sol' is a complex and multi-layered piece of music that showcases Dallier's skill as a composer. The piece is marked by its shifting moods and styles, with each movement offering a unique perspective on the overall theme of the piece. Whether performed by a soloist or a full orchestra, 'Invocations (5), No. 5, Electa ut Sol' is a powerful and evocative piece of music that continues to captivate audiences to this day.

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