Composer

:

Charles-Marie Widor

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1876

Average_duration

:

30:16

Movement_count

:

5

Movement ....

Charles-Marie Widor's Symphony No. 3 in E minor for organ, Op. 13/3, is a monumental work that showcases the full range and power of the organ. Composed in 1878, the symphony premiered on May 23, 1879, at the Trocadéro Palace in Paris, with Widor himself at the organ. The symphony is divided into six movements, each with its own distinct character and mood. The first movement, marked "Allegro moderato," begins with a majestic theme played by the organ's full resources. The theme is then developed and transformed throughout the movement, with moments of quiet introspection and explosive virtuosity. The second movement, "Allegretto," is a gentle and lyrical interlude, featuring a delicate melody played on the organ's flutes and strings. The third movement, "Andante," is a mournful and introspective adagio, with a haunting melody played on the organ's solo stops. The fourth movement, "Allegro vivace," is a lively and energetic scherzo, with a playful theme played on the organ's reeds and flutes. The fifth movement, "Adagio," is a solemn and contemplative meditation, with a simple yet profound melody played on the organ's strings and flutes. The final movement, "Allegro," is a triumphant and exuberant finale, with a majestic theme played on the organ's full resources. The theme is then developed and transformed throughout the movement, building to a thrilling climax and a triumphant coda. Throughout the symphony, Widor demonstrates his mastery of the organ, using its vast range of colors and textures to create a rich and varied musical landscape. The symphony is a testament to the power and versatility of the organ, and remains one of the most beloved works in the organ repertoire.

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