Composer

:

Bartlomiej Pekiel

Genre

:

Choral

Style

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Choral

"Resonet in laudibus" is a Christmas carol composed by Bartlomiej Pekiel, a Polish composer and conductor who lived from 1570 to 1640. The piece was likely composed in the early 17th century, although the exact date is unknown. It is believed to have been premiered in the Royal Chapel in Warsaw, where Pekiel served as the choir director. The piece is written for four voices, with a soprano, alto, tenor, and bass part. It is divided into three movements, each with its own distinct character. The first movement is a lively and joyful setting of the text "Resonet in laudibus" ("Let praises resound"), which celebrates the birth of Christ. The second movement is a more contemplative setting of the text "Hodie Christus natus est" ("Today Christ is born"), which reflects on the significance of the Nativity. The third movement returns to the joyful mood of the first, with a lively setting of the text "Alleluia, alleluia, alleluia," which celebrates the joy of the Christmas season. One of the most notable characteristics of "Resonet in laudibus" is its use of polychoral techniques, which were popular in the Baroque era. This involves dividing the choir into two or more groups, which sing in alternation or together to create a rich and complex sound. Pekiel also makes use of imitative counterpoint, in which each voice enters in turn with a similar melody, creating a sense of unity and coherence. Overall, "Resonet in laudibus" is a lively and joyful Christmas carol that reflects the Baroque style of its composer. Its use of polychoral techniques and imitative counterpoint make it a rich and complex piece of music, while its simple and celebratory text captures the spirit of the Christmas season.

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