Composer

:

Luigi Nono

Genre

:

Vocal

Compose Date

:

1986

Average_duration

:

40:27

'Risonanze errante, Liederzyklus a Massimo Cacciari' is a composition by Luigi Nono, an Italian composer known for his avant-garde and politically charged works. The piece was composed in 1986 and premiered on October 18th of the same year in Venice, Italy. The composition consists of six movements, each of which is a setting of a poem by Massimo Cacciari, an Italian philosopher and politician. The poems deal with themes of memory, identity, and the relationship between the individual and society. Nono's music reflects and amplifies these themes through its use of dissonance, fragmentation, and extended techniques. The first movement, "La fabbrica illuminata," sets a poem about a factory worker who is haunted by memories of his past. The music is characterized by harsh, metallic sounds and abrupt shifts in texture and dynamics. The second movement, "La lontananza nostalgica utopica futura," is a duet for violin and electronics that explores the theme of distance and longing. The violinist is placed offstage, creating a sense of spatial separation. The third movement, "Das atmende Klarsein," sets a poem about the relationship between the individual and the natural world. The music is characterized by sustained tones and delicate textures, creating a sense of stillness and contemplation. The fourth movement, "No hay caminos, hay que caminar," sets a poem about the struggle for social justice. The music is characterized by rhythmic complexity and a sense of urgency. The fifth movement, "Sofferte onde serene," is a solo for piano and electronics that explores the theme of memory. The piano is treated with various extended techniques, creating a range of timbres and textures. The final movement, "Omaggio a Gyorgy Kurtag," is a tribute to the Hungarian composer Gyorgy Kurtag. The music is characterized by delicate, fragmented gestures and a sense of introspection. Overall, 'Risonanze errante, Liederzyklus a Massimo Cacciari' is a complex and challenging work that reflects Nono's commitment to exploring the relationship between music and politics. Through its use of dissonance, fragmentation, and extended techniques, the music amplifies the themes of the poems and creates a sense of urgency and social engagement.

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