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Agustín Barrios-Mangoré
Una Limosna por el Amor de Dios
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Composer
:
Agustín Barrios-Mangoré
Genre
:
Chamber
Style
:
Piece
Compose Date
:
ca. 1920 - 1940
Average_duration
:
3:34
"Una Limosna por el Amor de Dios" is a beautiful and hauntingly melancholic piece of music composed by the Paraguayan guitarist and composer, Agustín Barrios-Mangoré. The piece was composed in 1925 and is also known as "El Ultimo Trémolo" or "The Last Tremolo". It is one of Barrios' most famous and beloved compositions and is often considered to be his masterpiece. The piece premiered in 1925 in Buenos Aires, Argentina, where Barrios was living at the time. It was first published in 1938, three years after Barrios' death, in a collection of his works titled "Las obras de Agustín Barrios Mangoré". Since then, it has become a staple of the classical guitar repertoire and has been recorded and performed by countless guitarists around the world. "Una Limosna por el Amor de Dios" is a tremolo piece, which means that the guitarist plays a rapid succession of notes on a single string while maintaining a steady rhythm. The piece is in the key of A minor and is played in 3/4 time. It consists of three main sections, each of which is characterized by a different mood and tempo. The first section is slow and mournful, with a simple melody that is repeated several times. The second section is faster and more lively, with a more complex melody that is played in a higher register. The third section returns to the slow and mournful mood of the first section, but with a more elaborate and ornate melody that builds to a dramatic climax before fading away into a gentle coda. The piece is notable for its use of harmonics, which are produced by lightly touching the string at certain points to create a bell-like tone. Barrios uses harmonics to great effect in "Una Limosna por el Amor de Dios", adding a haunting and ethereal quality to the piece. Overall, "Una Limosna por el Amor de Dios" is a beautiful and evocative piece of music that showcases Barrios' mastery of the guitar and his ability to create deeply emotional and expressive music. It is a testament to his legacy as one of the greatest guitarists and composers of the 20th century.
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