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Liza Lehmann
Nonsense Songs (9) from Alice in Wonderland
Released Album
 
Works Info
Composer
:
Liza Lehmann
Genre
:
Vocal
Style
:
Song: Art Song
Liza Lehmann's 'Nonsense Songs (9) from Alice in Wonderland' is a delightful song cycle that was composed in 1908. The cycle was premiered in London in the same year, and it quickly became a popular choice for recitals and concerts. The cycle consists of nine songs, each of which is based on a character or scene from Lewis Carroll's famous book 'Alice in Wonderland'. The first song in the cycle is 'The Lobster Quadrille', which is a lively and humorous song that describes a dance performed by a group of lobsters. The second song is 'The Mock Turtle's Song', which is a melancholic and reflective piece that explores the sadness and nostalgia of the Mock Turtle. The third song is 'Father William', which is a comical and satirical song that pokes fun at the absurdity of the character of Father William. The fourth song is 'The Duchess's Lullaby', which is a gentle and soothing song that the Duchess sings to her baby. The fifth song is 'The Mad Hatter's Tea Party', which is a chaotic and frenzied song that captures the madness and confusion of the tea party scene. The sixth song is 'Speak Roughly to Your Little Boy', which is a humorous and irreverent song that encourages parents to be strict with their children. The seventh song is 'The Queen of Hearts', which is a regal and imposing song that captures the power and authority of the Queen. The eighth song is 'The Cheshire Cat', which is a mysterious and enigmatic song that explores the elusive and unpredictable nature of the Cheshire Cat. The final song in the cycle is 'The White Knight's Song', which is a charming and whimsical song that celebrates the eccentricity and quirkiness of the White Knight. Overall, Lehmann's 'Nonsense Songs (9) from Alice in Wonderland' is a delightful and entertaining song cycle that captures the wit, humor, and whimsy of Lewis Carroll's classic book. The songs are characterized by Lehmann's skillful use of melody, harmony, and rhythm, as well as her ability to capture the essence of each character and scene from the book. The cycle remains a popular choice for singers and audiences alike, and it continues to be performed and enjoyed around the world.
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