Composer

:

Jonathan Little

Genre

:

Choral

Publication Date

:

2005

Average_duration

:

4:41

Jonathan Little's 'Kyrie, Op. 5 (from Missa Temporis Perditi)' is a choral work that was composed in 2005. It was premiered on October 22, 2005, by the University of York Chamber Choir, conducted by James Weeks. The piece is part of a larger work, the Missa Temporis Perditi, which is a setting of the Ordinary of the Mass. The 'Kyrie' is the first movement of the Missa Temporis Perditi and is written for a four-part choir (SATB). The piece is characterized by its use of dissonance and chromaticism, which create a sense of tension and unease. The opening of the piece features a series of descending chromatic lines in the lower voices, which are then echoed by the upper voices. This creates a sense of instability and uncertainty, which is resolved when the choir comes together to sing the first Kyrie eleison. The piece is also characterized by its use of polyphony, with each voice part singing a different melody at times. This creates a complex and layered texture that adds to the sense of tension and drama in the piece. The use of dynamics is also notable, with the choir moving between loud, powerful sections and quieter, more introspective moments. Overall, Jonathan Little's 'Kyrie, Op. 5 (from Missa Temporis Perditi)' is a powerful and dramatic choral work that showcases the composer's skill in creating complex and emotionally charged music. Its use of dissonance, chromaticism, and polyphony create a sense of tension and unease that is resolved in the final moments of the piece, leaving the listener with a sense of catharsis and resolution.

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