Composer

:

Charles Ives

Genre

:

Choral

Style

:

Psalm

Compose Date

:

1902

Publication Date

:

1975

First Performance

:

Apr 18, 1966

Average_duration

:

1:52

Charles Ives' 'Psalm 100, for double chorus, S. 153' is a choral work that was composed in 1900. It was premiered on May 22, 1902, at the Yale Glee Club concert in New Haven, Connecticut. The piece is divided into three movements, each with its own unique characteristics. The first movement is marked "Allegro con spirito" and is in a lively 6/8 time signature. The movement begins with a fanfare-like introduction in the brass and percussion, followed by the entrance of the choir. The choir sings the text of Psalm 100 in a joyful and exuberant manner, with frequent changes in dynamics and tempo. The movement ends with a triumphant coda, featuring a brass fanfare and a final "Alleluia" from the choir. The second movement is marked "Andante moderato" and is in a more contemplative 4/4 time signature. The movement begins with a solo soprano singing the text "Know ye that the Lord he is God" over a soft and sustained chord in the choir. The choir then joins in with a gentle and flowing melody, accompanied by a simple piano accompaniment. The movement builds to a climax with the choir singing "Enter into his gates with thanksgiving" in a powerful and majestic manner. The third movement is marked "Allegro" and is in a fast and energetic 2/4 time signature. The movement begins with a lively and syncopated piano introduction, followed by the entrance of the choir. The choir sings the text "For the Lord is good" in a rhythmic and syncopated manner, with frequent changes in tempo and dynamics. The movement ends with a final "Alleluia" from the choir, accompanied by a fast and frenzied piano accompaniment. Overall, 'Psalm 100, for double chorus, S. 153' is a dynamic and expressive choral work that showcases Ives' innovative and experimental approach to composition. The piece features frequent changes in tempo, dynamics, and meter, as well as complex harmonies and unconventional chord progressions. The use of double chorus adds to the richness and complexity of the piece, creating a powerful and immersive listening experience.

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