Composer

:

Robert White

Genre

:

Vocal

Style

:

Vocal Music

Average_duration

:

7:15

"Portio mea, domine" is a sacred choral work composed by Robert White, an English composer of the Renaissance period. The piece was composed in the late 16th century, during the reign of Queen Elizabeth I. It is a setting of the Latin text from Psalm 119, which is a prayer for guidance and protection. The piece is written for four voices, with the soprano, alto, tenor, and bass parts each having their own distinct melodies and harmonies. The work is divided into three movements, each with its own unique character and mood. The first movement is marked "Moderato" and begins with a gentle, flowing melody in the soprano and alto parts. The tenor and bass parts enter shortly after, adding depth and richness to the texture. The harmonies are mostly diatonic, with occasional chromaticism adding interest and tension. The movement builds to a climax before subsiding into a peaceful conclusion. The second movement is marked "Allegro" and is much more lively and energetic than the first. The soprano and alto parts sing a lively, syncopated melody, while the tenor and bass parts provide a driving rhythmic accompaniment. The harmonies are more complex than in the first movement, with frequent use of suspensions and dissonances. The movement ends with a triumphant cadence. The final movement is marked "Adagio" and is the most introspective and contemplative of the three. The soprano and alto parts sing a simple, plaintive melody, while the tenor and bass parts provide a gentle, flowing accompaniment. The harmonies are mostly diatonic, with occasional chromaticism adding color and interest. The movement ends with a peaceful, meditative cadence. Overall, "Portio mea, domine" is a beautiful and expressive work that showcases Robert White's skill as a composer. Its three movements each have their own distinct character and mood, making for a varied and engaging listening experience.

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