Wilhelm Friedemann Bach
Fugue for keyboard in E minor, F. 31/6 (BR A86)
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Composer:Wilhelm Friedemann BachGenre:KeyboardStyle:FugueCompose Date:ca. 1774 - 1778Publication Date:1968Average_duration:3:13Wilhelm Friedemann Bach, the eldest son of Johann Sebastian Bach, composed the 'Fugue for keyboard in E minor, F. 31/6 (BR A86)' in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written during his time as the organist at the Liebfrauenkirche in Halle, Germany. The 'Fugue for keyboard in E minor' is a single-movement work that follows the traditional structure of a fugue. It begins with a subject, a short melodic phrase that is introduced by the right hand. The subject is then imitated by the left hand and subsequently by other voices in the piece. The fugue is characterized by its use of counterpoint, where each voice has its own independent melody that is interwoven with the others. The piece is written in E minor, a key that was often associated with melancholy and introspection during the Baroque period. The tempo is marked as "Allegro moderato," indicating a moderate and lively pace. The piece is written for keyboard instruments, but it is not specified which instrument it was originally intended for. The 'Fugue for keyboard in E minor' is a challenging piece to perform, requiring technical skill and precision from the performer. It is also notable for its use of chromaticism, where notes outside of the key signature are used to create tension and dissonance. This technique was popular during the Baroque period and was used by many composers, including J.S. Bach. The 'Fugue for keyboard in E minor' was not published during Wilhelm Friedemann Bach's lifetime and was only discovered in the 20th century. It has since become a popular piece in the keyboard repertoire and is often performed and recorded by pianists and harpsichordists alike. Its intricate counterpoint and use of chromaticism make it a challenging and rewarding piece for performers and listeners alike.More....
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