Composer

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Michel Corrette

Genre

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Keyboard

Average_duration

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11:21

Michel Corrette's Magnificat a MI la 3# is a choral work that was composed in the Baroque era. It was first premiered in the 18th century, and it is still performed today. The Magnificat a MI la 3# is a sacred choral work that is based on the text of the Magnificat, which is a hymn of praise to the Virgin Mary. The Magnificat a MI la 3# is divided into several movements, each of which has its own unique characteristics. The first movement is a choral setting of the opening lines of the Magnificat, and it is characterized by its lively and energetic tempo. The second movement is a solo aria that is sung by a soprano, and it is characterized by its lyrical melody and expressive phrasing. The third movement is a duet that is sung by a soprano and a tenor, and it is characterized by its playful and lively melody. The fourth movement is a choral setting of the words "Quia respexit humilitatem ancillae suae," which means "For he has regarded the lowliness of his handmaiden." This movement is characterized by its gentle and contemplative melody. The fifth movement is a solo aria that is sung by a bass, and it is characterized by its deep and resonant tone. The sixth movement is a choral setting of the words "Sicut erat in principio," which means "As it was in the beginning." This movement is characterized by its grand and majestic melody. The Magnificat a MI la 3# is a beautiful and complex choral work that showcases the talents of Michel Corrette as a composer. Its movements are characterized by a wide range of musical styles and moods, from lively and playful to contemplative and grand. Overall, the Magnificat a MI la 3# is a masterpiece of Baroque choral music that continues to be celebrated and performed today.

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