Composer

:

Charles Ives

Genre

:

Vocal

Style

:

Song: Art Song

Compose Date

:

1910

Publication Date

:

1922

Average_duration

:

1:30

Charles Ives' "Evidence, S. 245" is a composition for piano and violin that was composed in 1924. The piece was premiered on January 20, 1925, at the Town Hall in New York City, with Ives himself on the piano and violinist Louis Krasner. The piece is divided into three movements, each with its own distinct character and style. The first movement, marked "Moderato con moto," is a lively and rhythmic dance-like piece that features syncopated rhythms and playful melodies. The second movement, marked "Adagio con espressione," is a slower and more contemplative piece that features long, lyrical lines and a sense of introspection. The final movement, marked "Allegro con spirito," is a fast and energetic piece that features virtuosic runs and a sense of exuberance. One of the most notable characteristics of "Evidence" is its use of dissonance and unconventional harmonies. Ives was known for his experimental approach to harmony, and "Evidence" is no exception. The piece features unexpected chord progressions and dissonant intervals that create a sense of tension and unease. Another characteristic of "Evidence" is its use of polyrhythms and complex rhythms. The piece features multiple layers of rhythm that often overlap and interlock, creating a sense of complexity and unpredictability. Overall, "Evidence, S. 245" is a challenging and innovative work that showcases Ives' unique approach to composition. Its use of dissonance, unconventional harmonies, and complex rhythms make it a landmark piece in the history of American classical music.

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