Composer

:

Darius Milhaud

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1970

Publication Date

:

1970

Average_duration

:

2:01

Darius Milhaud's Sumaré, arranged (by Maurice Gendron from Saudades No. 6), Op. 67/6arr is a piece of music that was composed in 1959. The piece was premiered in the same year, and it is a part of Milhaud's Saudades do Brasil, a collection of twelve pieces that were inspired by Brazilian music and culture. Sumaré is the sixth movement of the collection, and it is a lively and rhythmic piece that features a variety of Brazilian musical elements. The piece is arranged for cello and piano by Maurice Gendron, and it showcases Milhaud's unique style, which blends elements of classical music with Brazilian rhythms and melodies. The piece begins with a lively and syncopated rhythm that is reminiscent of samba music. The cello and piano play in unison, creating a sense of energy and excitement. As the piece progresses, the rhythm becomes more complex, with the cello and piano playing off of each other in a call-and-response style. Throughout the piece, Milhaud incorporates a variety of Brazilian musical elements, including the use of syncopated rhythms, melodic motifs, and percussive sounds. The cello and piano trade off solos, with each instrument showcasing its unique sound and style. Overall, Sumaré is a vibrant and engaging piece of music that showcases Milhaud's unique style and his love for Brazilian music and culture. The piece is a testament to Milhaud's ability to blend different musical traditions and create something entirely new and exciting.

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