Wilhelm Middelschulte
Passacaglia for organ in D minor
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Composer:Wilhelm MiddelschulteGenre:KeyboardStyle:KeyboardCompose Date:1897First Performance:Feb 3, 1899Average_duration:13:26Wilhelm Middelschulte's Passacaglia for organ in D minor is a powerful and dramatic work that showcases the full range and capabilities of the organ. The piece was composed in 1901 and premiered in the same year in Berlin, Germany. It is a single-movement work that is approximately 15 minutes in length. The Passacaglia is built around a repeating bass line, or passacaglia, that is heard throughout the piece. This bass line is played in the pedals of the organ and is accompanied by a series of variations in the manuals. Middelschulte uses a variety of techniques to create these variations, including changes in harmony, rhythm, and texture. The result is a work that is both cohesive and varied, with each variation building on the one that came before it. The Passacaglia is divided into three main sections. The first section is slow and contemplative, with the bass line played in long, sustained notes. The variations in this section are relatively simple, with Middelschulte focusing on changes in harmony and texture rather than complex figuration. The second section is faster and more virtuosic, with the variations becoming more complex and intricate. Middelschulte uses a variety of techniques to create these variations, including rapid passagework, intricate counterpoint, and dramatic changes in dynamics. The bass line remains constant throughout this section, providing a solid foundation for the more elaborate variations. The final section of the Passacaglia is a return to the slow, contemplative mood of the opening. The variations in this section are more subdued than those in the second section, with Middelschulte focusing on creating a sense of resolution and closure. The piece ends with a powerful statement of the passacaglia theme in the pedals, bringing the work to a dramatic conclusion. Overall, Middelschulte's Passacaglia for organ in D minor is a masterful work that showcases the full range and capabilities of the organ. Its use of a repeating bass line and variations creates a sense of unity and coherence, while the variety of techniques used to create these variations keeps the work fresh and engaging throughout.More....
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